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June 23, 2007

TLS: on ants

excerpt from Eat my wings by Matthew Cobb
review of SIX LEGS BETTER. A cultural history of myrmecology. By Charlotte Sleigh. 320pp. Baltimore, MD: Johns Hopkins University Press. $55

For the writers of the Old Testament, ants held a particularly important place as an exemplar for human behaviour: "Go to the ant, thou sluggard; consider her ways, and be wise", reads Proverbs 6: 6. Repeatedly, comparisons have been made between human society and the scurrying activity of insect societies. For the pioneer Dutch entomologist Jan Swammerdam (1637-80), viewing ants through his mystical Christian glasses, life in the ant nest was positively idyllic: "love and unanimity, more powerful than punishment or death itself, preside there and all live together in the same manner as the primitive Christians anciently did, who were connected by fraternal love, and had all things in common". Modern myrmecologists would see things very differently, but their views are probably equally tinged by their surrounding culture. Contemporary scientists argue that behind the superficial cooperation and order of the ant nest lurk powerful conflicting interests between the queen and the workers, an ageist division of labour, and complex behaviours that emerge out of very simple rules. No love, no unanimity, but selfish genes and conflict.
How we got from there to here, from Christianity to conflict, via the twentieth century, is the subject of Charlotte Sleigh's fascinating account of the changing shape of our vision of ants. Part history of science, part history of culture, Six Legs Better uses the history of myrmecology as a focus for a sweeping survey of the interaction between science and culture through some of the decisive decades in the development of both expressions of human activity.

1 comment:

  1. A fascinating topic, viz. how culture affects our perception and interpretation of reality. My very personal image is that culture mounts a pair of binoculars on your vision (they always give you a very selective and partial picture of the landscape)and for every culture it's a different pair.

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